apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Balloon Vendor
The Balloon Vendor by Edward Henry Potthast

plate no. 4503

The Balloon Vendor

Edward Henry Potthast

oilImpressionismgenre paintingbeachfigureschildrenballoonsseasky
some experience helpful

This painting offers a great opportunity to practice capturing light and shadow on a beach scene with figures. Students will learn to simplify forms and use color to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and horizon line.

  2. step 02

    Block in the large areas of color: sky, sea, and sand, using a thin wash.

  3. step 03

    Establish the shadows on the sand with a darker blue-violet mix.

  4. step 04

    Begin adding details to the figures, focusing on capturing the light and shadow on their clothing.

  5. step 05

    Introduce the secondary colors for clothing and accessories.

  6. step 06

    Add the balloons in the background, using small dabs of color.

  7. step 07

    Refine the details and add highlights to create a sense of depth.

  8. step 08

    Make final adjustments to the colors and values to unify the painting.

color palette

primary · ultramarine blue · titanium white · cadmium yellow light · alizarin crimson

secondary · viridian green · yellow ochre · burnt sienna

Mix blues and whites for the sky and sea, adding small amounts of yellow and crimson for variations. Use white to lighten colors and create highlights. Create shadows by mixing blues, violets, and browns.

techniques

  • ·broken color
  • ·impressionistic brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Creating muddy colors
  • →Incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann