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home·artworks·The Balcony
The Balcony by Frederick Carl Frieseke

plate no. 8041

The Balcony

Frederick Carl Frieseke, 1904

oilImpressionismcityscapebalconycityscapefiguretreesskymoon
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for twilight scenes, and capturing the impression of light and shadow with loose brushwork. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the balcony, figure, trees, and cityscape.

  2. step 02

    Block in the sky with broad strokes of pink, purple, and blue, creating a gradient effect.

  3. step 03

    Establish the dark masses of the trees, using a mix of greens, browns, and blues.

  4. step 04

    Paint the building on the left with warm oranges and reds, suggesting the glow of interior lights.

  5. step 05

    Add the figure on the balcony, focusing on capturing the light and shadow on the white dress.

  6. step 06

    Introduce highlights and details to the trees and cityscape, using small strokes of yellow and white to represent lights.

  7. step 07

    Refine the details of the balcony and railing, adding texture and depth.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · alizarin crimson · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow

Achieve the twilight sky by mixing ultramarine blue and alizarin crimson with varying amounts of white. Use yellow ochre and burnt umber to create the greens and browns for the trees. Mix cadmium yellow with white for the highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details, resulting in a loss of spontaneity.
  • →Using too much black, making the colors appear muddy.
  • →Failing to create a sense of depth and atmosphere.
  • →Not capturing the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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