
plate no. 0933
David Wilkie, 1813
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and subtle variations in light and shadow.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and bagpipes.
Establish the overall value structure with a thin wash of burnt umber or similar earth tone.
Begin blocking in the main areas of color, focusing on the skin tones, clothing, and background.
Refine the facial features, paying close attention to the highlights and shadows to create form.
Add details to the clothing and bagpipes, capturing the textures and patterns.
Adjust the values and colors to create a sense of depth and atmosphere.
Add final highlights and details to bring the painting to life.
Glaze with thin layers to unify the colors and create a sense of depth.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · cadmium red light · yellow ochre
Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth. Create shadows by adding ivory black to the skin tone mixture.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can be helpful.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke