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home·artworks·The Awaited Letter
The Awaited Letter by Heywood Hardy

plate no. 3688

The Awaited Letter

Heywood Hardy

oilRomanticismanimal paintingfigureshorsesbuildingdoglandscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting figures and animals in a landscape setting, as well as understanding atmospheric perspective and color harmony. It's also a good exercise in capturing the textures of different materials like fabric, fur, and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures, horses, and the building.

  2. step 02

    Block in the main shapes and colors of the background landscape, starting with the sky and horizon.

  3. step 03

    Establish the basic values and colors of the building, paying attention to the light and shadow.

  4. step 04

    Roughly paint in the figures and horses, focusing on their proportions and poses.

  5. step 05

    Refine the details of the figures' clothing and faces, adding highlights and shadows.

  6. step 06

    Add details to the horses, including their musculature and the texture of their coats.

  7. step 07

    Paint the dog, paying attention to its fur and markings.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · sap green

Mix browns and earth tones by blending burnt umber, yellow ochre, and ivory black. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the browns and grays. Mix greens for the foliage by combining yellow ochre, ultramarine blue, and a touch of burnt umber.

techniques

  • ·blocking in
  • ·blending
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures and horses
  • →Overworking details too early
  • →Muddying colors by over-mixing
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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