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home·artworks·The Artist’s Son and Sister in the Garden at Sevres
The Artist’s Son and Sister in the Garden at Sevres by Marie Bracquemond

plate no. 0647

The Artist’s Son and Sister in the Garden at Sevres

Marie Bracquemond, 1890

oilImpressionismportraitfiguresgardenflowerstreesportrait
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing light and shadow with visible brushstrokes. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major elements.

  2. step 02

    Establish the background with loose, broken brushstrokes, using greens, browns, and hints of red for the flowers.

  3. step 03

    Block in the figures with basic shapes and values, paying attention to proportions.

  4. step 04

    Develop the light and shadow on the figures, using a limited palette of colors.

  5. step 05

    Add details to the figures, such as facial features and clothing patterns, using small, deliberate brushstrokes.

  6. step 06

    Refine the background, adding more detail and texture to the foliage and flowers.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and visually appealing painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · viridian · ultramarine blue · alizarin crimson

Mix various shades of green by combining yellow ochre, viridian, and ultramarine blue. Achieve skin tones by blending titanium white, burnt umber, and cadmium red light. Use alizarin crimson to deepen reds and create shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Neglecting to capture the subtle variations in light and shadow.
  • →Focusing too much on detail and losing the overall impressionistic feel.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, burnt umber, cadmium red light, yellow ochre, viridian, ultramarine blue, alizarin crimson)
  • ·palette
  • ·assorted brushes (round and flat, various sizes)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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