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home·artworks·The Art Historian N. L. Høyen
The Art Historian N. L. Høyen by Wilhelm Marstrand

plate no. 4084

The Art Historian N. L. Høyen

Wilhelm Marstrand, 1868

oil, canvasRomanticismportraitportraitfigurebookspaintingsinteriorman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow using thin washes of color.

  3. step 03

    Focus on the face, carefully building up the skin tones using layers of subtle color variations and soft blending.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and textures.

  5. step 05

    Paint the background elements, including the paintings and books, using a slightly looser brushstroke.

  6. step 06

    Refine the details and edges throughout the painting, ensuring a harmonious balance between sharpness and softness.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of yellow ochre and burnt sienna to warm up the skin tones. Add ultramarine blue to darken shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Neglecting the importance of soft edges and subtle transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve various effects.

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related guides

oil painting for beginners →how to learn by studying the masters →
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