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home·artworks·The Arrest of Pangeran Diponegoro
The Arrest of Pangeran Diponegoro by Raden Saleh

plate no. 0086

The Arrest of Pangeran Diponegoro

Raden Saleh, 1857

oilRomanticismhistory paintingfiguresbuildingsoldierslandscapecarriagehistorical event
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering atmospheric perspective. It also provides practice in mixing a wide range of skin tones and depicting complex scenes with many subjects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and the building.

  2. step 02

    Block in the main shapes and values, focusing on the large areas of light and shadow.

  3. step 03

    Start refining the figures, paying attention to proportions and anatomical details.

  4. step 04

    Develop the background landscape, using lighter values and softer edges to create depth.

  5. step 05

    Add details to the building, carriage, and clothing, using smaller brushes.

  6. step 06

    Refine the skin tones and facial features of the figures, using subtle color variations.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adding small amounts of cadmium red for warmth and ultramarine blue for cool shadows. Mix greens for the landscape by combining ultramarine blue and yellow ochre.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or muddy colors
  • →Lack of depth in the landscape
  • →Ignoring the light source
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·variety of round and flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for optimal texture. Consider using a toned ground to simplify the initial blocking-in stage.

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related guides

oil painting for beginners →how to learn by studying the masters →
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