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home·artworks·The Arrest of Christ
The Arrest of Christ by Francisco Goya

plate no. 8102

The Arrest of Christ

Francisco Goya, 1788

oil, canvasRomanticismreligious paintingfiguresreligious scenecrowdspeardarknesshistorical
experienced study

Recreating this painting will help students develop skills in chiaroscuro and capturing dramatic lighting effects, as well as rendering figures in dynamic poses and expressions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the darkest areas of the background and shadows.

  4. step 04

    Build up the mid-tones and highlights, focusing on the figures in the foreground.

  5. step 05

    Refine the details of the faces and clothing, paying attention to the light and shadow.

  6. step 06

    Add the highlights to create a sense of depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white · cadmium yellow

secondary · burnt sienna · ultramarine blue · alizarin crimson

Achieve the dark tones by mixing ivory black and raw umber. Create the flesh tones by mixing titanium white, cadmium yellow, and a touch of alizarin crimson. Use ultramarine blue to cool down shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Making the colors too saturated and bright.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, raw umber, titanium white, cadmium yellow, burnt sienna, ultramarine blue, alizarin crimson)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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