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home·artworks·The arrest of Charlotte Corday after the murder of Marat
The arrest of Charlotte Corday after the murder of Marat by Alfred Dehodencq

plate no. 7436

The arrest of Charlotte Corday after the murder of Marat

Alfred Dehodencq, 1853

oil, canvasRomanticismhistory paintingcrowdbuildingfigurestreethistorical eventbalcony
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and buildings.

  2. step 02

    Block in the large shapes and areas of light and shadow using thin washes of color.

  3. step 03

    Develop the background buildings, focusing on their perspective and details.

  4. step 04

    Start building up the figures in the foreground, paying attention to their gestures and expressions.

  5. step 05

    Refine the details of the clothing, faces, and weapons.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · titanium white · ultramarine blue

Achieve the muted tones by mixing burnt umber and ivory black with small amounts of red, blue, or white. Use white to create highlights and add touches of blue or red to create cooler or warmer shadows.

techniques

  • ·chiaroscuro
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Creating figures that are too stiff or unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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