apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Arming of Perseus
The Arming of Perseus by Edward Burne-Jones

plate no. 8943

The Arming of Perseus

Edward Burne-Jones, 1885

oil, canvasRomanticismmythological paintingfiguresarmordresseslandscapemythologybirds
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations and achieving realistic skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the atmospheric perspective.

  3. step 03

    Begin rendering the figures, starting with the underpainting to establish the values.

  4. step 04

    Develop the drapery of the dresses, paying attention to the folds and highlights.

  5. step 05

    Paint the armor, using a limited palette to create a metallic effect.

  6. step 06

    Add details to the faces, focusing on capturing the expressions and likenesses.

  7. step 07

    Refine the details of the birds and other accessories.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve the muted tones by mixing complementary colors and using a limited palette. Use glazes to build up depth and luminosity in the shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke