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home·artworks·The Aqueduct
The Aqueduct by Henry Herbert La Thangue

plate no. 6785

The Aqueduct

Henry Herbert La Thangue

oilImpressionismgenre paintingarchitecturelandscapefigureanimalfoliagetown
some experience helpful

Recreating this painting will help students develop skills in rendering textures with visible brushstrokes and creating depth through atmospheric perspective. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the archway and the placement of the town and figure.

  2. step 02

    Establish the main color blocks for the sky, town, archway, and foliage.

  3. step 03

    Begin adding details to the town, using lighter values to suggest distance.

  4. step 04

    Develop the archway with varied tones and textures to create a sense of depth and age.

  5. step 05

    Paint the figure and animal, paying attention to their form and how they interact with the light.

  6. step 06

    Add details to the foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and atmospheric scene.

color palette

primary · raw umber · burnt sienna · yellow ochre · titanium white

secondary · sap green · ultramarine blue · cadmium red

Mix various shades of brown and green by combining the primary colors. Use white to lighten values and blue to create atmospheric perspective.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Creating too much contrast, making the scene look flat.
  • →Not paying attention to the values, resulting in a lack of depth.
  • →Ignoring the atmospheric perspective, making the town appear too close.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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