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home·artworks·The Annunciation
The Annunciation by Domenico Beccafumi

plate no. 7469

The Annunciation

Domenico Beccafumi, 1546

temperaMannerism (Late Renaissance)religious paintingangelfigurearchitecturelandscapereligioussky
some experience helpful

Recreating this painting will help students understand how to create depth using atmospheric perspective and how to render figures with soft, blended shading. Students will also learn about the importance of composition in telling a story.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the angel, the Virgin Mary, the architectural setting, and the landscape in the background.

  2. step 02

    Establish the dark background tones using a mix of burnt umber and black, leaving areas for highlights.

  3. step 03

    Block in the basic shapes and colors of the figures, focusing on the overall form and proportion.

  4. step 04

    Begin layering colors on the angel and Virgin Mary, gradually building up highlights and shadows to create form.

  5. step 05

    Paint the landscape background using thin washes of color, creating a sense of depth and atmosphere.

  6. step 06

    Refine the details of the architectural setting, paying attention to the play of light and shadow.

  7. step 07

    Add final details to the figures, such as the flowers held by the angel and the expression on their faces.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and enhance the overall mood.

color palette

primary · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ivory black

Achieve the skin tones by mixing titanium white, cadmium red light, and a touch of yellow ochre. Create the dark background by mixing burnt umber and ivory black. Use viridian and yellow ochre for the greenish drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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