
plate no. 2774
Simone Martini, 1333
Recreating this painting will help students develop skills in figure drawing, rendering drapery, and applying gold leaf or metallic paint to simulate a gilded effect. It also provides practice in creating intricate patterns and decorative elements.
technical profile
approach — 8 steps
Lightly sketch the basic figure pose and proportions on the canvas.
Establish the background with a base layer of gold paint or a mixture of yellow ochre and metallic gold.
Block in the main shapes of the angel's robe and wings using lighter shades of gold and cream.
Begin adding details to the robe, creating the intricate pattern with a fine brush and darker shades of gold and brown.
Paint the angel's face and hands with a pale green or olive hue, paying attention to subtle shading.
Add the wings, using a combination of gold, gray, and orange to create depth and texture.
Outline the halo and other details with a fine brush and gold paint.
Add the small tree branch, using dark green for the leaves and brown for the stem.
color palette
primary · gold · yellow ochre · cream
secondary · pale green · brown · gray · orange
Achieve the gold effect by mixing yellow ochre with metallic gold paint or powder. Create the pale green skin tone by mixing white, yellow, and a touch of green or blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a gessoed canvas will provide a smooth surface for painting. Consider using a slow-drying medium to allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Calendar: January (Banquet Scene)
Limbourg brothers

Archangel Michael
Álvaro Pires de Évora

Christ as Man of Sorrow
Stefan Lochner

Virgem Com O Menino
Álvaro Pires de Évora

Petrarch's Virgil (title page)
Simone Martini

David Imagines Christ Elevated Above All Other Beings
Limbourg brothers

Heavenly Host
Limbourg brothers

Sts. Catherine, Hubert and Quirinus
Stefan Lochner