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home·artworks·The Ancients
The Ancients by Maynard Dixon

plate no. 4051

The Ancients

Maynard Dixon, 1922

oilImpressionismgenre paintingfiguresNative Americansskylandscapefeather staff
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes with simplified values and creating atmospheric perspective through color temperature changes. Students will also practice rendering figures with drapery using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and the feather staff.

  2. step 02

    Block in the large areas of color for the sky, ground, and figures using thin washes.

  3. step 03

    Establish the main value contrasts, focusing on the light source and shadows.

  4. step 04

    Develop the forms of the figures by adding mid-tones and highlights, paying attention to the folds and drapery.

  5. step 05

    Refine the details of the faces and hands, using subtle color variations to create depth.

  6. step 06

    Paint the feather staff, carefully rendering the individual feathers with varying values and textures.

  7. step 07

    Adjust the overall color harmony and value relationships to create a sense of atmosphere and unity.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · raw sienna · ivory black

Mix various shades of gray and brown by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white to create the warm tones of the sky and figures. Add small amounts of raw sienna to warm up the browns.

techniques

  • ·blocking in
  • ·value studies
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of unity.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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