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home·artworks·The Alarm
The Alarm by George Harvey

plate no. 9799

The Alarm

George Harvey, 1831

oilRomanticismgenre paintingfiguresmanchildlandscapedarkclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering figures in low light, and understanding tonal values to create depth and mood. It also provides practice in blending and scumbling techniques to achieve a textured, atmospheric effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall tonal range by blocking in the darkest and lightest areas with thin washes of paint.

  3. step 03

    Begin building up the background with layers of browns and blacks, using loose brushstrokes to create texture.

  4. step 04

    Start defining the figures, paying attention to the light and shadow on their faces and clothing.

  5. step 05

    Mix and apply the red hues for the child's clothing, blending carefully to create soft transitions.

  6. step 06

    Add details to the faces, such as the eyes, nose, and mouth, using small brushes and subtle color variations.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance the sense of depth and realism.

  8. step 08

    Add final touches, such as small details in the background and subtle adjustments to the colors.

color palette

primary · burnt umber · ivory black · raw sienna · cadmium red

secondary · yellow ochre · titanium white

Mix browns and blacks to create the dark, muted tones of the background. Use white to lighten the colors and create highlights. Mix red with brown and black to create the muted red tones of the child's clothing.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·tonal painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of blending and softening the edges.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, ivory black, raw sienna, cadmium red, yellow ochre, titanium white)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use a medium-grit canvas for a textured surface. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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