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home·artworks·The Adriatic Coast
The Adriatic Coast by Richard Parkes Bonington

plate no. 7573

The Adriatic Coast

Richard Parkes Bonington, 1826

oil, cardboardRomanticismlandscapeskycloudswaterboatpilingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to capture a sense of mood and light. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the clouds, boat, and pilings.

  2. step 02

    Block in the sky with a thin wash of grey and yellow ochre, blending the colors loosely.

  3. step 03

    Add darker tones to the clouds to create depth and dimension, using short, broken brushstrokes.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and clouds.

  5. step 05

    Define the boat and pilings with darker values, paying attention to their reflections in the water.

  6. step 06

    Add details to the figures in the boat, keeping them simple and suggestive.

  7. step 07

    Refine the edges of the clouds and pilings, softening some and sharpening others to create visual interest.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · grey · yellow ochre · raw umber

secondary · titanium white · burnt sienna · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of blue. Use yellow ochre to warm the greys and create a sense of light.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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