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home·artworks·The 78-Ton Brigantine 'The Advocate' off St. Helier, Jersey
The 78-Ton Brigantine 'The Advocate' off St. Helier, Jersey by John Wilson Carmichael

plate no. 8770

The 78-Ton Brigantine 'The Advocate' off St. Helier, Jersey

John Wilson Carmichael, 1849

oilRomanticismmarinashipsseacloudsfigurescastleboats
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering the complex textures of water and clouds. It also provides practice in painting convincing ship details and figures in a dynamic environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, placement of the ships, and the castle.

  2. step 02

    Establish the sky with broad strokes, blending blues, grays, and whites to create cloud formations.

  3. step 03

    Block in the sea using dark browns and blues, indicating the direction of the waves.

  4. step 04

    Begin adding details to the ships, starting with the larger vessels and working towards the smaller boats.

  5. step 05

    Paint the castle in the distance, paying attention to its form and the effect of atmospheric perspective.

  6. step 06

    Add highlights to the waves and sails to create a sense of light and movement.

  7. step 07

    Refine the details of the figures in the boats, using small brushes to capture their forms.

  8. step 08

    Add final touches, such as birds and reflections, to enhance the overall atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · cadmium red light

Mix various shades of gray for the sky by combining white, blue, and a touch of umber. Achieve the brown tones of the sea by blending umber, sienna, and blue. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the movement and energy of the sea.
  • →Creating flat, lifeless clouds.
  • →Inaccurate rendering of ship proportions and details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, raw sienna, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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