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home·artworks·Thé de l’après-midi
Thé de l’après-midi by Louise Abbéma

plate no. 1804

Thé de l’après-midi

Louise Abbéma

oil, canvasImpressionismportraitfigureinteriorflowerstabletea setportrait
some experience helpful

Recreating this painting will help students develop skills in capturing the nuances of light and shadow in an interior scene and practice painting textures with visible brushstrokes. Students will also learn to simplify complex details while maintaining a sense of realism.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and working forward.

  3. step 03

    Establish the main light source and begin to define the shadows and highlights.

  4. step 04

    Develop the details of the figure, paying attention to the folds of the clothing and the facial features.

  5. step 05

    Add details to the flowers and other objects on the tables, focusing on their textures and colors.

  6. step 06

    Refine the brushwork, using short, broken strokes to create a sense of movement and light.

  7. step 07

    Adjust the values and colors as needed to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · viridian · alizarin crimson · yellow ochre

secondary · cadmium yellow · ultramarine blue · titanium white

Mix greens by combining viridian with yellow ochre or cadmium yellow. Achieve the skin tones by mixing alizarin crimson, yellow ochre, and titanium white. Use ivory black sparingly to darken colors and create shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·glazing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·viridian oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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