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home·artworks·Texas Landscape
Texas Landscape by Robert Julian Onderdonk

plate no. 0038

Texas Landscape

Robert Julian Onderdonk

oilImpressionismlandscapetreesskylandscaperoadgrassfence
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture light and shadow. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the large tree, road, and horizon line.

  2. step 02

    Establish the sky with broad strokes of blue, adding hints of violet and white for variation.

  3. step 03

    Block in the large shapes of the trees and foliage using a mix of greens, yellows, and browns.

  4. step 04

    Define the road with a base of light ochre, adding shadows with mixes of purple and brown.

  5. step 05

    Add details to the tree, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Paint the fence and distant buildings, simplifying their forms and values.

  7. step 07

    Refine the shadows and highlights throughout the painting to create depth and dimension.

  8. step 08

    Add final touches, such as small details in the foreground and subtle color variations in the sky.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix greens by combining yellow and blue, and create shadows by adding burnt umber and alizarin crimson to your base colors. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Ignoring the importance of value contrast in creating depth.
  • →Creating muddy colors by over-mixing on the palette.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·view finder

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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