
plate no. 1074
Leon Bakst, 1908
Recreating this painting will help students develop skills in layering, creating atmospheric perspective, and rendering complex geological forms with light and shadow. It also provides practice in figure painting and symbolic composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the major landforms.
Establish the dark areas of the sky and the shadowed parts of the mountains with a dark underpainting.
Begin layering lighter tones onto the mountains, building up the texture and form with short, broken brushstrokes.
Paint the figure, paying attention to the subtle gradations of light and shadow on the skin.
Add the details of the architecture and other small elements in the landscape.
Create the light beam effect by layering thin washes of white and pale blue.
Refine the details and adjust the values to create a sense of depth and atmosphere.
Add final highlights and shadows to enhance the overall impact of the painting.
color palette
primary · ultramarine blue · burnt umber · titanium white · yellow ochre
secondary · cadmium red · viridian green
Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and cadmium red for the warmer tones in the mountains and figure. Mix viridian green with blue and white for the bird.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.
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