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home·artworks·Terror Antiquus
Terror Antiquus by Leon Bakst

plate no. 1074

Terror Antiquus

Leon Bakst, 1908

oil, canvasArt Nouveau (Modern)symbolic paintingmountainsskyfigurecloudsarchitecturelight beam
experienced study

Recreating this painting will help students develop skills in layering, creating atmospheric perspective, and rendering complex geological forms with light and shadow. It also provides practice in figure painting and symbolic composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the major landforms.

  2. step 02

    Establish the dark areas of the sky and the shadowed parts of the mountains with a dark underpainting.

  3. step 03

    Begin layering lighter tones onto the mountains, building up the texture and form with short, broken brushstrokes.

  4. step 04

    Paint the figure, paying attention to the subtle gradations of light and shadow on the skin.

  5. step 05

    Add the details of the architecture and other small elements in the landscape.

  6. step 06

    Create the light beam effect by layering thin washes of white and pale blue.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall impact of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and cadmium red for the warmer tones in the mountains and figure. Mix viridian green with blue and white for the bird.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and making the painting look flat.
  • →Failing to establish a strong focal point.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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