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home·artworks·Terrigal Headland, New South Wales
Terrigal Headland, New South Wales by Julian Ashton

plate no. 6108

Terrigal Headland, New South Wales

Julian Ashton, 1892

oilImpressionismlandscapecliffswaterskyrocksvegetationbirds
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating subtle color variations to depict natural rock formations and reflections. It also encourages observation of light and shadow to define form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cliff, water, and horizon line.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the cliff face as a base layer.

  3. step 03

    Add darker washes of burnt umber and Payne's gray to indicate shadows and crevices in the rock.

  4. step 04

    Layer in hints of red and orange to add warmth and variation to the cliff face.

  5. step 05

    Paint the water with horizontal washes of blue-green and gray, allowing colors to blend.

  6. step 06

    Add reflections of the cliff in the water using similar colors, but in a slightly darker tone.

  7. step 07

    Use a fine brush to add details such as the vegetation on top of the cliff and the birds in the sky.

  8. step 08

    Adjust values and add final details to create depth and realism.

color palette

primary · yellow ochre · raw sienna · burnt umber

secondary · Payne's gray · ultramarine blue · cadmium red light

Mix yellow ochre and raw sienna for the base of the cliff. Use burnt umber and Payne's gray for shadows. Add small amounts of cadmium red light to warm the rock face. Mix ultramarine blue, Payne's gray, and a touch of yellow ochre for the water.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brush texture
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Failing to create enough contrast between light and shadow.
  • →Neglecting the subtle color variations in the rock and water.
  • →Making the brushstrokes too uniform, resulting in a flat appearance.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (tubes or pans)
  • ·Watercolor brushes (round and flat, various sizes)
  • ·Watercolor paper (140lb, cold press)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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