
plate no. 6108
Julian Ashton, 1892
Recreating this painting will help students develop skills in layering washes and creating subtle color variations to depict natural rock formations and reflections. It also encourages observation of light and shadow to define form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the cliff, water, and horizon line.
Apply a light wash of diluted yellow ochre and raw sienna to the cliff face as a base layer.
Add darker washes of burnt umber and Payne's gray to indicate shadows and crevices in the rock.
Layer in hints of red and orange to add warmth and variation to the cliff face.
Paint the water with horizontal washes of blue-green and gray, allowing colors to blend.
Add reflections of the cliff in the water using similar colors, but in a slightly darker tone.
Use a fine brush to add details such as the vegetation on top of the cliff and the birds in the sky.
Adjust values and add final details to create depth and realism.
color palette
primary · yellow ochre · raw sienna · burnt umber
secondary · Payne's gray · ultramarine blue · cadmium red light
Mix yellow ochre and raw sienna for the base of the cliff. Use burnt umber and Payne's gray for shadows. Add small amounts of cadmium red light to warm the rock face. Mix ultramarine blue, Payne's gray, and a touch of yellow ochre for the water.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.
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