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home·artworks·Terrace overlooking the flower garden in Wannsee
Terrace overlooking the flower garden in Wannsee by Max Liebermann

plate no. 0800

Terrace overlooking the flower garden in Wannsee

Max Liebermann, 1918

oil, canvasImpressionismlandscapegardentreesbuildingfiguresflowersterrace
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the impression of light filtering through foliage. It also provides practice in simplifying complex scenes into broad, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the building, terrace, and trees.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color, such as the sky, grass, and foliage.

  3. step 03

    Begin layering colors to create depth and dimension in the trees and foliage, using a variety of greens, yellows, and browns.

  4. step 04

    Add details to the building, including the windows, doors, and architectural features.

  5. step 05

    Paint the figures on the terrace, using small, gestural brushstrokes to capture their forms.

  6. step 06

    Add highlights and shadows to create contrast and dimension throughout the painting.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches, such as small details in the flowers and foliage.

color palette

primary · sap green · yellow ochre · raw umber · titanium white

secondary · cadmium red · ultramarine blue · burnt sienna

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Use burnt sienna and ultramarine blue to create darker shades for shadows. Add small amounts of cadmium red to greens to create warmer tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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