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home·artworks·Terrace at Sorrento
Terrace at Sorrento by Sylvester Shchedrin

plate no. 5611

Terrace at Sorrento

Sylvester Shchedrin, 1826

oilRomanticismgenre paintingterracefiguressealandscapearchitecturefoliage
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic figures in a complex outdoor setting. It also provides practice in capturing the subtle nuances of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, starting with the sky and sea, then moving to the land and architecture.

  3. step 03

    Establish the light and shadow patterns, paying attention to the direction of the light source.

  4. step 04

    Develop the details of the figures, focusing on accurate proportions and realistic rendering of clothing and features.

  5. step 05

    Add details to the architectural elements, such as the texture of the stone and the details of the pergola.

  6. step 06

    Paint the foliage, using a variety of greens and browns to create depth and texture.

  7. step 07

    Refine the details and adjust the values to create a sense of atmospheric perspective.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the sky's subtle gradients by mixing ultramarine blue with varying amounts of titanium white. Create the warm tones of the architecture and figures by blending burnt umber, yellow ochre, and cadmium red.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering textures
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, sap green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to thin the paints and speed up drying time.

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