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home·artworks·Temple of the Sibyl, Tivoli
Temple of the Sibyl, Tivoli by Thomas Stuart Smith

plate no. 8610

Temple of the Sibyl, Tivoli

Thomas Stuart Smith, 1849

oilRomanticismlandscapetempleruinslandscapehillsskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with simplified forms. It also provides practice in creating a sense of depth and distance using color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the temple and the surrounding landscape.

  2. step 02

    Establish the horizon line and the overall perspective.

  3. step 03

    Block in the main shapes of the temple, hills, and foreground elements using thin washes of color.

  4. step 04

    Develop the sky with soft gradations of color, blending from light blue to warmer tones near the horizon.

  5. step 05

    Add details to the temple, focusing on the columns, arches, and other architectural features.

  6. step 06

    Build up the layers of color in the landscape, creating depth and texture with varied brushstrokes.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and adjust the values to achieve a harmonious composition.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · titanium white · raw sienna · cadmium yellow

Mix various shades of brown and earth tones by combining burnt umber, yellow ochre, and raw sienna. Use ultramarine blue and white to create the sky, and add small amounts of yellow ochre for warmth near the horizon.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early
  • →Creating overly sharp edges
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·cadmium yellow oil paint

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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