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home·artworks·Temple of Hercules Victor, The Piazza di Bocca della Verita and the Church of Santa Maria in Cosmedin
Temple of Hercules Victor, The Piazza di Bocca della Verita and the Church of Santa Maria in Cosmedin by Penry Williams

plate no. 0544

Temple of Hercules Victor, The Piazza di Bocca della Verita and the Church of Santa Maria in Cosmedin

Penry Williams

oil, canvasRomanticismcityscapearchitecturefigurescityscapeskyfountainanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, figure painting, and architectural rendering. It also provides practice in creating a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, fountain, and figures.

  2. step 02

    Establish the horizon line and the vanishing points for the perspective.

  3. step 03

    Block in the large shapes of the buildings and the sky with thin washes of color.

  4. step 04

    Add details to the architecture, paying attention to the light and shadow.

  5. step 05

    Paint the figures, starting with the larger groups and then adding details to individual figures.

  6. step 06

    Develop the foreground with details of the landscape and objects.

  7. step 07

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of brown and gray for the buildings and architecture. Use a limited palette to create harmony and unity in the painting. Mix greens from blue and yellow for foliage.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →not creating enough depth
  • →making the figures look stiff or unnatural

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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