apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tea-Drying in Mr Hölle's Establishment, Java
Tea-Drying in Mr Hölle's Establishment, Java by Marianne North

plate no. 9879

Tea-Drying in Mr Hölle's Establishment, Java

Marianne North, 1876

oilImpressionismgenre paintingmountaintreesfiguresbuildingslandscapetea plantation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, depicting figures in a landscape, and creating depth through color and value changes. It also provides practice in rendering various textures, such as foliage and wooden structures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, trees, and buildings.

  2. step 02

    Establish the sky with light blues and whites, blending softly.

  3. step 03

    Block in the mountain mass with varying shades of green, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Add the trees and foliage, using a variety of greens and browns to create texture and depth.

  5. step 05

    Paint the buildings and structures, paying attention to their perspective and form.

  6. step 06

    Add the figures, using simple shapes and colors to suggest their presence.

  7. step 07

    Refine the details, such as the tea leaves drying and the texture of the ground.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · sap green · burnt umber · titanium white · cerulean blue

secondary · yellow ochre · cadmium red · ultramarine blue

Mix greens by combining blues and yellows, adding burnt umber to create earthier tones. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details
  • →Ignoring atmospheric perspective
  • →Using too much detail in the background
  • →Not varying the greens enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

A medium-sized canvas (16x20 or 18x24) would be appropriate for this painting. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann