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home·artworks·Tattercoats dancing while the gooseherd pipes
Tattercoats dancing while the gooseherd pipes by Arthur Rackham

plate no. 9363

Tattercoats dancing while the gooseherd pipes

Arthur Rackham

oilArt Nouveau (Modern)illustrationfiguresgeeselandscapetreeswaterfolklore
some experience helpful

Recreating this painting will help students develop skills in figure drawing, creating atmospheric perspective, and using a limited color palette to create a cohesive mood. Students will also learn to simplify complex shapes and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, landscape elements, and composition.

  2. step 02

    Establish the horizon line and the general shapes of the trees, hills, and water.

  3. step 03

    Apply a thin wash of diluted raw sienna or yellow ochre to the entire canvas as an underpainting.

  4. step 04

    Start layering in the darker values of the trees and water using burnt umber and indigo.

  5. step 05

    Paint the figures, focusing on capturing their poses and proportions.

  6. step 06

    Add the geese using white and light gray tones, paying attention to their individual shapes and positions.

  7. step 07

    Refine the details of the landscape, adding highlights and shadows to create depth.

  8. step 08

    Use fine lines to add details to the figures' clothing and facial features.

color palette

primary · raw sienna · burnt umber · titanium white

secondary · indigo · yellow ochre · light gray

Mix raw sienna with white to create warm highlights. Use burnt umber and indigo to create dark shadows. Mix white with a touch of indigo to create the gray tones for the geese and water.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·hatching
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Failing to establish a clear value structure, resulting in a flat image.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated and clashing with the overall muted tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw sienna oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·indigo oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a fine-grain canvas for smoother details. Consider using a toned canvas to start with a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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