apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tatar Quarter in Balcic
Tatar Quarter in Balcic by Samuel Mutzner

plate no. 3253

Tatar Quarter in Balcic

Samuel Mutzner

oilImpressionismcityscapebuildingsfiguresvillageskylandscape
some experience helpful

Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also provides an opportunity to study light and shadow in a complex scene.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and figures, focusing on composition.

  2. step 02

    Block in the main color areas: sky, buildings, ground.

  3. step 03

    Establish the light and shadow patterns on the buildings.

  4. step 04

    Add details to the buildings, such as doors, windows, and roof tiles.

  5. step 05

    Develop the figures with simple shapes and colors.

  6. step 06

    Refine the textures of the ground and sky with varied brushstrokes.

  7. step 07

    Add final highlights and shadows to create depth.

  8. step 08

    Review and adjust the overall color balance and composition.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · cadmium red · yellow ochre · viridian green

Mix white with small amounts of other colors to create the off-white tones of the buildings. Use umber and blue for shadows, and red and yellow for the roof tiles.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the overall light and shadow patterns.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·#8 flat brush
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann