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home·artworks·Tarquinius Superbus
Tarquinius Superbus by Sir Lawrence Alma-Tadema

plate no. 6686

Tarquinius Superbus

Sir Lawrence Alma-Tadema, 1867

oilRomanticismhistory paintingfiguresgardenflowersancient Romeceremonytapestry
experienced study

Recreating this painting will help students develop skills in rendering figures in classical drapery and creating depth through atmospheric perspective. It also provides practice in capturing the texture of various materials, such as fabric and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the garden elements.

  2. step 02

    Establish the background with dark, muted tones, suggesting the tapestry and foliage.

  3. step 03

    Block in the main figures with simplified shapes and values, focusing on the drapery folds.

  4. step 04

    Begin to refine the figures, adding details to the faces and hands.

  5. step 05

    Develop the garden area, using a variety of greens and reds to create the flowers and foliage.

  6. step 06

    Add highlights and shadows to create depth and dimension in the drapery and figures.

  7. step 07

    Refine the details of the tapestry and other background elements.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · viridian · ultramarine blue · raw sienna

Achieve the warm tones of the drapery by mixing yellow ochre, burnt umber, and a touch of cadmium red. Use viridian and ultramarine blue to create the various shades of green for the foliage. Muted tones are achieved by mixing complementary colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, burnt umber, titanium white, cadmium red, viridian, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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