apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tamaracks
Tamaracks by Tom Thomson

plate no. 8031

Tamaracks

Tom Thomson

oilArt Nouveau (Modern)landscapetreesskylandscapefoliagelakeforest
some experience helpful

Recreating this painting will help students develop skills in layering paint with visible brushstrokes and simplifying complex scenes into basic shapes and colors. It's also a good exercise in color mixing and creating a sense of depth through color temperature.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees, horizon line, and foreground.

  2. step 02

    Block in the sky with a thin layer of light blue, leaving some areas for clouds.

  3. step 03

    Paint the distant lake with a darker blue, keeping the edges soft.

  4. step 04

    Start layering the foliage with oranges, yellows, and browns, using short, choppy brushstrokes.

  5. step 05

    Add the tree trunks with darker browns and blacks, varying the thickness of the lines.

  6. step 06

    Paint the foreground with a mix of greens, browns, and reds, using thicker paint and more visible brushstrokes.

  7. step 07

    Add highlights to the foliage and foreground to create a sense of depth and dimension.

  8. step 08

    Refine the details and adjust the colors as needed.

color palette

primary · cerulean blue · yellow ochre · burnt umber · titanium white

secondary · cadmium orange · sap green · ultramarine blue

Mix various shades of orange by combining yellow ochre, cadmium orange, and burnt umber. Create lighter blues by mixing cerulean blue with titanium white. Achieve a range of browns by mixing burnt umber with yellow ochre and a touch of ultramarine blue.

techniques

  • ·impasto
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the brushstrokes too uniform and lacking variation.
  • →Not simplifying the shapes enough, leading to a cluttered composition.
  • →Failing to create enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (#4, #6, #8)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the visibility of the brushstrokes. Consider using a palette knife for applying thicker layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois