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home·artworks·Sydney Harbour
Sydney Harbour by Arthur Streeton

plate no. 3886

Sydney Harbour

Arthur Streeton, 1907

oilImpressionismlandscapetreeswaterlandscapeharborskybuildings
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, expressive brushwork to capture the texture of foliage and water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of land and trees.

  2. step 02

    Block in the sky and water with diluted blues and grays, establishing the overall tone.

  3. step 03

    Begin layering in the distant landmasses, using progressively darker and warmer tones as you move closer.

  4. step 04

    Establish the dark masses of the trees in the foreground, paying attention to the shapes and negative spaces.

  5. step 05

    Add highlights to the trees and foliage, using lighter shades of brown, green, and yellow.

  6. step 06

    Refine the details of the trees and rocks in the foreground, using smaller brushes and more precise strokes.

  7. step 07

    Add small details like the sailboats and buildings in the distance.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and composition.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow · raw sienna

Mix blues and browns with white to create the atmospheric haze of the sky and water. Use yellow ochre and burnt umber to create the warm tones of the trees and rocks.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foreground.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to achieve color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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