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home·artworks·Sutton Courtenay, (Summer on the River or The Wharf)
Sutton Courtenay, (Summer on the River or The Wharf) by John Lavery

plate no. 6273

Sutton Courtenay, (Summer on the River or The Wharf)

John Lavery, 1917

oilImpressionismgenre paintingriverboatfigurestreesswanswater reflections
some experience helpful

This painting provides practice in capturing light and reflections on water, as well as rendering figures in a naturalistic setting. Students will develop skills in color mixing to achieve subtle tonal variations and capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the boat, figures, and horizon line.

  2. step 02

    Block in the main areas of color: the water, the trees, the boat, and the sky.

  3. step 03

    Develop the values in the water, paying attention to the reflections of the trees and sky.

  4. step 04

    Add details to the boat and figures, focusing on capturing their forms and gestures.

  5. step 05

    Refine the foliage in the trees, using broken brushstrokes to create texture.

  6. step 06

    Add the swans and their reflections.

  7. step 07

    Adjust the overall color balance and values to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Use white to lighten values and create highlights. Mix red and umber for the boat's color.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not capturing the subtle tonal variations.
  • →Failing to establish a strong value structure.
  • →Incorrect proportions of the boat and figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, sap green, raw sienna)

optional

  • ·palette
  • ·easel
  • ·painting medium

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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