
plate no. 6273
John Lavery, 1917
This painting provides practice in capturing light and reflections on water, as well as rendering figures in a naturalistic setting. Students will develop skills in color mixing to achieve subtle tonal variations and capturing the essence of a scene rather than precise detail.
technical profile
approach — 8 steps
Begin with a light sketch to establish the composition, focusing on the placement of the boat, figures, and horizon line.
Block in the main areas of color: the water, the trees, the boat, and the sky.
Develop the values in the water, paying attention to the reflections of the trees and sky.
Add details to the boat and figures, focusing on capturing their forms and gestures.
Refine the foliage in the trees, using broken brushstrokes to create texture.
Add the swans and their reflections.
Adjust the overall color balance and values to create a sense of atmosphere.
Add final details and highlights to bring the painting to life.
color palette
primary · burnt umber · yellow ochre · titanium white · ultramarine blue
secondary · cadmium red · sap green · raw sienna
Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Use white to lighten values and create highlights. Mix red and umber for the boat's color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.
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