apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Supreme Court
Supreme Court by Pericles Pantazis

plate no. 5226

Supreme Court

Pericles Pantazis, 1880

oilImpressionismlandscapelandscapeskycloudsmountainsfigurescity
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the mountain, the rock formation, the horizon line, and the figures.

  2. step 02

    Block in the sky with light blues and grays, focusing on the cloud shapes.

  3. step 03

    Establish the base colors for the rock formation, using a mix of browns, grays, and creams.

  4. step 04

    Paint the distant mountains with muted blues and purples to create atmospheric perspective.

  5. step 05

    Add details to the rock formation, using broken color and visible brushstrokes to create texture.

  6. step 06

    Paint the figures with simple shapes and colors, suggesting their form without over-detailing.

  7. step 07

    Add the suggestion of the city in the distance.

  8. step 08

    Refine the foreground with subtle variations in color and value.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · payne's gray · cadmium yellow light

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use raw umber and white for the rocks, adding burnt sienna for warmer tones. Mix blues and raw umber for the distant mountains.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·dry brushing

common pitfalls

  • →over-blending colors
  • →over-detailing the rock formation
  • →making the sky too uniform
  • →incorrect value relationships
  • →not simplifying the distant city

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann