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home·artworks·Suppression of the Octroi in 1860
Suppression of the Octroi in 1860 by Xavier Mellery

plate no. 0800

Suppression of the Octroi in 1860

Xavier Mellery, 1890

lithographyArt Nouveau (Modern)genre paintingfiguresbuildingshorsesanimalsstreet scenemarket
experienced study

Recreating this painting will help students develop skills in rendering complex compositions with many figures and understanding atmospheric perspective to create depth. It also offers practice in capturing realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the overall composition and placement of major elements.

  2. step 02

    Establish the background building and sky with thin washes of color.

  3. step 03

    Block in the main figures and animals, focusing on their basic shapes and proportions.

  4. step 04

    Gradually build up layers of color and detail, working from the background to the foreground.

  5. step 05

    Pay attention to the light source and create highlights and shadows to give form to the figures and objects.

  6. step 06

    Add details such as facial features, clothing folds, and textures.

  7. step 07

    Refine the composition and make any necessary adjustments to the colors and values.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · raw umber · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes to create depth and subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early.
  • →Incorrect proportions of figures and animals.
  • →Overworking the painting and losing the freshness.
  • →Ignoring the light source and creating flat, lifeless forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a high-quality canvas and artist-grade oil paints for best results.

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