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home·artworks·Sunset Glow (verso)
Sunset Glow (verso) by Thomas Pollock Anshutz

plate no. 6037

Sunset Glow (verso)

Thomas Pollock Anshutz, 1897

oilImpressionismlandscapeboatslandscapegrassskywaterreflection
suitable for beginners

Recreating this painting will help students develop skills in layering washes and creating atmospheric perspective. It also provides practice in capturing reflections and rendering simple forms in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, the position of the boats, and the main areas of grass.

  2. step 02

    Apply a thin wash of diluted yellow ochre for the sky, blending it slightly into the horizon.

  3. step 03

    Mix a pale green wash and apply it to the field area, varying the intensity and adding touches of yellow and brown.

  4. step 04

    Paint the boats using a mix of browns and creams, paying attention to the light and shadow on their surfaces.

  5. step 05

    Create the reflections in the water using similar colors to the boats and grass, but in a more diluted and blurred manner.

  6. step 06

    Add details to the grass using short, broken strokes of green, brown, and yellow.

  7. step 07

    Strengthen the shadows under the boats and in the grass to create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · titanium white · raw sienna

Mix greens by blending yellow ochre with a touch of burnt umber and sap green. Browns can be achieved by mixing burnt umber with yellow ochre and a touch of white. Dilute colors significantly for washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·creating reflections

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and losing the atmospheric effect.
  • →Not diluting the colors enough for the initial washes.
  • →Ignoring the importance of reflections in creating depth.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints (yellow ochre, burnt umber, sap green, titanium white, raw sienna)
  • ·Round watercolor brushes (various sizes)
  • ·Water container
  • ·Palette
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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