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home·artworks·Sunset at Port Marly
Sunset at Port Marly by Alfred Sisley

plate no. 1056

Sunset at Port Marly

Alfred Sisley, 1876

oil, canvasImpressionismcityscapestreetbuildingsskytreesfiguressunset
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and broken color techniques to capture the fleeting effects of light.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the road and the placement of buildings and trees.

  2. step 02

    Establish the horizon line and the main areas of light and shadow.

  3. step 03

    Block in the sky with broad strokes, blending pinks, oranges, and blues.

  4. step 04

    Paint the distant buildings and trees with muted colors, suggesting atmospheric perspective.

  5. step 05

    Add details to the road using short, broken brushstrokes to create texture.

  6. step 06

    Introduce figures and carts, paying attention to their scale and placement within the scene.

  7. step 07

    Refine the details of the foreground, adding texture to the wall and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt sienna · raw umber · cadmium yellow

Mix various shades of pink and purple for the sky by blending red, blue, and white. Use yellow ochre and burnt sienna for the warm tones of the buildings and road. Mute colors with complementary colors to create atmospheric perspective.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·scumbling
  • ·short, broken brushstrokes

common pitfalls

  • →overblending the colors in the sky
  • →losing the perspective of the road
  • →making the figures too detailed
  • →not muting the colors of the distant objects enough

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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