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home·artworks·Sunrise in the Snowy Riverside
Sunrise in the Snowy Riverside by Laszlo Mednyanszky

plate no. 9551

Sunrise in the Snowy Riverside

Laszlo Mednyanszky

oilImpressionismlandscaperiverboatssnowskybuildingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle color variations in a limited palette. It also provides practice in depicting reflections on water and creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main elements (buildings, boats, figures).

  2. step 02

    Establish the sky and water with thin washes of color, creating a sense of atmospheric perspective.

  3. step 03

    Block in the larger shapes of the land and buildings, using a limited palette of neutral tones.

  4. step 04

    Add details to the boats and figures, paying attention to their relative sizes and positions.

  5. step 05

    Create texture in the snow and land using broken brushstrokes and varying the pressure on the brush.

  6. step 06

    Refine the reflections in the water, using slightly darker and desaturated versions of the colors above.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna

Achieve the subtle color variations by mixing white with small amounts of umber, black, and ochre. Use burnt sienna sparingly for warm accents.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much color and creating a painting that is too bright and saturated.
  • →Failing to create a sense of depth and distance.
  • →Making the reflections too literal and not capturing the subtle distortions of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to allow for subtle blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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