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home·artworks·Sunrise at Saint Mammes
Sunrise at Saint Mammes by Alfred Sisley

plate no. 1853

Sunrise at Saint Mammes

Alfred Sisley, 1880

oil, canvasImpressionismlandscaperiverbridgetreesbuildingsskyfigures
experienced study

Students would develop plein air color mixing skills and learn to capture atmospheric light effects through broken color technique. This painting teaches the Impressionist approach to rendering reflections and creating depth through color temperature changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Block in the basic composition with light pencil sketch, establishing horizon line and major shapes

  2. step 02

    Paint the sky using horizontal brushstrokes, blending blues and yellows for atmospheric effect

  3. step 03

    Establish the distant hills with warm ochres and oranges, keeping edges soft

  4. step 04

    Paint the river with horizontal strokes, mixing blues and reflecting sky colors

  5. step 05

    Block in the bridge using darker neutral tones, maintaining its structural form

  6. step 06

    Develop the foreground buildings with warm oranges and earth tones

  7. step 07

    Add the large tree using vertical strokes, mixing greens with yellows and earth tones

  8. step 08

    Refine details like figures, reflections, and final color adjustments

color palette

primary · ultramarine blue · cadmium yellow · burnt sienna · titanium white

secondary · viridian green · cadmium orange · raw umber · cerulean blue

Mix sky colors by combining blues with yellows and white, varying warmth. Create river reflections by using vertical strokes of sky colors mixed with darker tones.

techniques

  • ·broken color application
  • ·atmospheric perspective
  • ·plein air color mixing
  • ·impressionist brushwork
  • ·color temperature contrast

common pitfalls

  • →Overworking the paint surface
  • →Making water too static without movement
  • →Losing color harmony by over-mixing
  • →Creating muddy colors in shadow areas

materials

surface · primed cotton canvas, medium texture

required

  • ·#6 and #10 flat hog bristle brushes
  • ·#4 round brush
  • ·ultramarine blue oil paint
  • ·cadmium yellow medium
  • ·burnt sienna
  • ·titanium white
  • ·viridian green
  • ·stretched canvas 16x20 inches

optional

  • ·palette knife for mixing
  • ·#2 liner brush for fine details
  • ·painting medium
  • ·easel for outdoor work

Use canvas with enough tooth to hold the paint but not so rough as to break up brushstrokes. A warm ground tone can help unify the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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