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home·artworks·Sunnyside
Sunnyside by Currier and Ives

plate no. 2854

Sunnyside

Currier and Ives, 1860

oilRomanticismlandscapebuildingtreeslawnskyfigurespath
some experience helpful

Recreating this painting would help students develop skills in perspective, color mixing for natural scenes, and rendering architectural details. It also provides practice in creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, trees, path, and figures.

  2. step 02

    Establish the horizon line and vanishing points for the perspective of the building and path.

  3. step 03

    Block in the basic colors for the sky, lawn, building, and trees using thin washes.

  4. step 04

    Develop the details of the building, paying attention to the windows, roof, and architectural features.

  5. step 05

    Add details to the trees, varying the greens and using darker tones for shadows.

  6. step 06

    Paint the path, using lighter tones where the sun hits it and darker tones in the shadows.

  7. step 07

    Add the figures and other small details, such as the dog and the plants in the foreground.

  8. step 08

    Refine the painting with highlights and shadows, creating a sense of depth and atmosphere.

color palette

primary · sap green · raw umber · titanium white · sky blue

secondary · burnt sienna · yellow ochre · cadmium yellow light · ultramarine blue

Mix greens by combining blues and yellows with touches of brown. Achieve the sky color by diluting blue with white. Use burnt sienna and raw umber for the path and building details.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·color layering
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting the perspective wrong, especially for the building.
  • →Using too much detail too early in the painting process.
  • →Making the colors too saturated and unnatural.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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