apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sunny Morning
Sunny Morning by Nikolay Bogdanov-Belsky

plate no. 3410

Sunny Morning

Nikolay Bogdanov-Belsky, 1935

oilImpressionisminteriorinteriorwindowfurnituregardenlightpillows
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light and shadow. It's also a good exercise in depicting textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the room and the placement of the furniture.

  2. step 02

    Block in the main color areas: the floor, the furniture, the window frames, and the view outside.

  3. step 03

    Start layering colors within each area, using short, visible brushstrokes to build up texture and depth.

  4. step 04

    Pay close attention to the light and shadow patterns, adjusting the colors and values accordingly.

  5. step 05

    Add details to the furniture and pillows, capturing their patterns and textures.

  6. step 06

    Refine the view outside the window, focusing on the shapes and colors of the trees and foliage.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Review and adjust the overall composition, ensuring that all elements work together harmoniously.

color palette

primary · red · green · blue · yellow

secondary · brown · white · purple

Mix greens by blending blues and yellows, and create variations by adding small amounts of red or brown. Achieve the subtle grays and browns by mixing complementary colors.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·optical mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the perspective of the room and creating a flat, unrealistic composition.
  • →Not paying enough attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits (for cleaning oil brushes)

Use a variety of brush sizes to create different textures and details. Consider using a palette knife to apply thick layers of paint for added texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann