apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sunlit Landscape of Cape Shio
Sunlit Landscape of Cape Shio by Fujishima Takeji

plate no. 8411

Sunlit Landscape of Cape Shio

Fujishima Takeji, 1931

oilImpressionismmarinaseaskysunrockscoastlinelandscape
some experience helpful

This painting is good for practicing atmospheric perspective and blending techniques to create soft transitions in the sky and water. Students will also learn to simplify complex rock formations using basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, sea, and land.

  2. step 02

    Block in the sky with light yellow and gray tones, blending them softly.

  3. step 03

    Paint the sea using varying shades of blue and gray, creating a sense of depth.

  4. step 04

    Add the sun with a bright yellow, and blend the surrounding area to create a halo effect.

  5. step 05

    Block in the landmass with dark brown and green tones.

  6. step 06

    Add details to the rocks, using dry brush techniques to create texture.

  7. step 07

    Refine the highlights and shadows on the land and rocks.

  8. step 08

    Add final touches to the sky and sea, adjusting the values and colors as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · raw sienna · payne's gray

Mix blues and grays with white to create the atmospheric perspective in the sea. Use yellow ochre and white for the sky, and mix browns and greens for the land.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·value gradation
  • ·scumbling

common pitfalls

  • →Overworking the blending, resulting in a muddy appearance.
  • →Failing to create a sense of depth in the sea.
  • →Making the rock details too sharp and defined.
  • →Ignoring the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann