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home·artworks·Sunlight (Cutting on a hot road)
Sunlight (Cutting on a hot road) by Arthur Streeton

plate no. 0466

Sunlight (Cutting on a hot road)

Arthur Streeton, 1895

oilImpressionismlandscapetreeslandscaperoadskygrassfence
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of light and distance. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, road, trees, and fence.

  2. step 02

    Block in the sky with a thin wash of light blue, allowing for variations in tone.

  3. step 03

    Establish the basic values of the landscape, using a mix of greens, yellows, and browns.

  4. step 04

    Add the darker values of the trees, focusing on their overall shapes and masses.

  5. step 05

    Paint the road with a light, warm color, adding shadows and highlights to create depth.

  6. step 06

    Define the fence with simple lines and values, paying attention to its perspective.

  7. step 07

    Add details to the trees and foliage, using broken color and varied brushstrokes.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of harmony.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by blending yellow ochre and ultramarine blue, and modify with white. Browns are achieved by mixing burnt umber with yellow ochre and small amounts of blue or red.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear sense of depth and distance.
  • →Using colors straight from the tube without mixing them to create subtle variations.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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