apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sunlight, Afternoon, La Rue de l'Epicerie, Rouen
Sunlight, Afternoon, La Rue de l'Epicerie, Rouen by Camille Pissarro

plate no. 3543

Sunlight, Afternoon, La Rue de l'Epicerie, Rouen

Camille Pissarro, 1898

oil, canvasImpressionismcityscapecityscapebuildingsstreetfiguresskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and practice loose, impressionistic brushstrokes to capture light and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the street perspective, focusing on the overall composition.

  2. step 02

    Establish the sky with light blues and whites, blending softly.

  3. step 03

    Block in the main colors of the buildings, using a mix of warm and cool tones.

  4. step 04

    Add details to the architecture, such as windows and rooflines, with small brushstrokes.

  5. step 05

    Paint the street surface with a variety of browns, oranges, and grays, capturing the texture of the cobblestones.

  6. step 06

    Add figures to the street, using simple shapes and colors to suggest movement.

  7. step 07

    Refine the details of the buildings and figures, paying attention to light and shadow.

  8. step 08

    Add final touches, such as highlights and shadows, to create depth and dimension.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · viridian green · raw umber

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create variations in value.

techniques

  • ·broken color
  • ·impressionistic brushstrokes
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →overworking details
  • →creating muddy colors
  • →ignoring perspective
  • →not varying brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann