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home·artworks·Sunday Morning, Paris
Sunday Morning, Paris by Maurice Prendergast

plate no. 4380

Sunday Morning, Paris

Maurice Prendergast, 1894

oil, panelImpressionismgenre paintingfigureswomenchildrenclothingparasolscityscape
some experience helpful

Recreating this painting will help students develop skills in capturing figures with loose brushstrokes and understanding how to suggest details rather than rendering them precisely. It's also a good exercise in capturing light and shadow in an outdoor setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the figures and background elements using light pencil lines.

  2. step 02

    Block in the large areas of color, focusing on the overall values and relationships between them.

  3. step 03

    Start with the darkest areas, gradually building up the lighter tones.

  4. step 04

    Use short, broken brushstrokes to create texture and suggest details in the clothing and background.

  5. step 05

    Pay attention to the direction of light and how it affects the forms.

  6. step 06

    Add highlights and shadows to define the figures and create a sense of depth.

  7. step 07

    Refine the edges of the shapes and add any final details.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · raw umber · titanium white · rose madder

secondary · ultramarine blue · cadmium yellow

Mix white with small amounts of yellow ochre and rose madder to create the various shades of white clothing. Use raw umber and yellow ochre for the ground and buildings, adding white to lighten the tones. Mix ultramarine blue with white to create the pale blues in the shadows.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·color mixing
  • ·value studies
  • ·alla prima

common pitfalls

  • →overworking the details
  • →using too much detail
  • →muddying the colors
  • →not paying attention to the light source

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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