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home·artworks·Sunday Morning in front of the Arch Street Meeting House in Philadelphia
Sunday Morning in front of the Arch Street Meeting House in Philadelphia by John Lewis Krimmel

plate no. 1636

Sunday Morning in front of the Arch Street Meeting House in Philadelphia

John Lewis Krimmel

oilRomanticismgenre paintingfiguresbuildingstreetarchitectureclothinggroup
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering clothing folds, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the details of architectural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the background architecture, focusing on accurate rendering of windows and architectural details.

  3. step 03

    Block in the basic colors of the figures' clothing, using thin washes of color.

  4. step 04

    Add shadows and highlights to the clothing to create form and dimension.

  5. step 05

    Paint the faces and hands, paying attention to subtle variations in skin tone.

  6. step 06

    Develop the background details, such as the trees and street, using loose brushstrokes.

  7. step 07

    Refine the details of the figures and architecture, adding small accents and highlights.

  8. step 08

    Add final touches and adjust values to create a cohesive composition.

color palette

primary · raw sienna · ivory black · titanium white

secondary · Prussian blue · yellow ochre · alizarin crimson

Mix various shades of brown and gray by combining raw sienna, ivory black, and titanium white. Use small amounts of Prussian blue and alizarin crimson to create subtle variations in skin tones and clothing colors.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overly stiff or static poses
  • →Inaccurate rendering of architectural details
  • →Lack of variation in skin tones
  • →Ignoring atmospheric perspective

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and techniques to achieve desired effects.

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