
plate no. 5184
Frederick George Cotman, 1879
Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and capturing the soft light of a morning scene.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the church, figures, and landscape elements.
Establish the overall warm color tone of the sky and ground with a thin wash of diluted color.
Block in the main shapes of the church, trees, and figures using simplified forms and values.
Develop the details of the church, paying attention to the architectural features and the play of light and shadow.
Refine the figures, adding details to their clothing and faces, and adjusting their values to create depth.
Add details to the landscape, including the trees, foliage, and ground texture, using a variety of brushstrokes.
Adjust the overall values and colors to create a sense of atmosphere and depth.
Add final highlights and details to complete the painting.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · cadmium yellow · alizarin crimson · ultramarine blue
Mix burnt umber and yellow ochre to create the warm earth tones. Use titanium white to lighten the colors and create highlights. Add small amounts of alizarin crimson and ultramarine blue to create subtle variations in the shadows and sky.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas for this project. Consider using a toned canvas to help establish the overall color tone of the painting.
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