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home·artworks·Sun and shade in a pergola, Italy
Sun and shade in a pergola, Italy by Ernst Meyer

plate no. 3789

Sun and shade in a pergola, Italy

Ernst Meyer

oil, paper, canvasRomanticismcityscapearchitecturepergolafoliagepathwaystepslandscape
some experience helpful

Recreating this painting will help students develop skills in creating depth through atmospheric perspective and understanding how light interacts with different surfaces and textures. It also provides practice in rendering architectural details and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the pathway and the placement of the architectural elements.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the larger shapes of the buildings and foliage, using a limited palette of earth tones and greens.

  4. step 04

    Begin adding details to the architectural elements, such as the stones and arches, paying attention to the light and shadow.

  5. step 05

    Develop the foliage, using a variety of greens and yellows to create depth and texture.

  6. step 06

    Refine the pathway, adding highlights and shadows to create a sense of depth and realism.

  7. step 07

    Add the small details, such as the vase and the vines, to complete the painting.

  8. step 08

    Glaze with thin layers to adjust color and value as needed.

color palette

primary · burnt umber · raw sienna · titanium white · sap green

secondary · ultramarine blue · yellow ochre · cadmium yellow

Mix various shades of brown and green by combining the primary colors. Use white to lighten the colors and create highlights. Add a touch of blue to the greens to create cooler shadows.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of perspective.
  • →Using too much detail in the background, which can flatten the image.
  • →Not paying attention to the light and shadow, which can make the painting look flat and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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