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home·artworks·Summer Sea, Newquay, Cornwall
Summer Sea, Newquay, Cornwall by Albert Julius Olsson

plate no. 4426

Summer Sea, Newquay, Cornwall

Albert Julius Olsson, 1920

oilImpressionismmarinaseawavesrockscoastlineskywater
some experience helpful

This painting offers a good opportunity to practice capturing the movement of water and the subtle color variations in a seascape. Students will learn to mix muted tones and create texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, coastline, and major rock formations.

  2. step 02

    Block in the sky with light, muted yellows and grays, blending softly.

  3. step 03

    Establish the base color of the sea with a mix of blues, greens, and whites.

  4. step 04

    Begin building up the wave forms with thicker paint, using short, broken brushstrokes.

  5. step 05

    Add highlights to the waves with white and pale yellow, focusing on areas where the light catches the water.

  6. step 06

    Paint the rocks with browns and grays, adding texture with dry brush techniques.

  7. step 07

    Refine the details of the waves and rocks, adjusting colors and values as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · viridian green

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create subtle variations in the water and sky. Mix burnt umber with blues and greens to create the darker tones in the rocks.

techniques

  • ·broken color
  • ·dry brush
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much pure color without mixing to create muted tones.
  • →Failing to capture the movement and energy of the water.
  • →Ignoring the subtle color variations in the sky and sea.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to help create texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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