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home·artworks·Summer Evening Beside the Lake
Summer Evening Beside the Lake by Fujishima Takeji

plate no. 7290

Summer Evening Beside the Lake

Fujishima Takeji

oilImpressionismgenre paintingfigureslaketreesbenchlandscapekimono
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle atmospheric effects and layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, bench, and horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, focusing on the warm and cool tones.

  3. step 03

    Block in the main shapes of the figures, paying attention to the folds of the clothing and the proportions.

  4. step 04

    Develop the background landscape, layering colors to create the illusion of distance and atmospheric perspective.

  5. step 05

    Add details to the bench and surrounding foliage, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the figures, adding highlights and shadows to define their forms and features.

  7. step 07

    Add final details, such as the book, fan, and small plants in the foreground.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the color balance.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · alizarin crimson · viridian

Mix ultramarine blue and yellow ochre to create various shades of green for the foliage. Use burnt sienna and alizarin crimson to create warm skin tones and the red accents in the clothing.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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