apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Summer
Summer by Hélène Guinepied

plate no. 2325

Summer

Hélène Guinepied, 1915

oilImpressionismlandscapelandscapefieldtreesskyfigureflowers
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using broken color to represent textures in nature. It's also a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the main color areas for the background hills, middle ground field, and foreground grasses.

  4. step 04

    Add the trees, focusing on their silhouette and general shape.

  5. step 05

    Begin layering colors within each area, using short, broken brushstrokes to create texture.

  6. step 06

    Introduce the red flower accents in the foreground.

  7. step 07

    Add the figure in the distance, keeping it simple and indistinct.

  8. step 08

    Refine details and adjust values to create depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · titanium white · sap green

secondary · cadmium red · burnt umber · violet

Mix various greens by combining blue, yellow, and white. Achieve atmospheric perspective by lightening and cooling colors as they recede into the distance. Use small amounts of red to create the flower accents.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using too much paint
  • →Creating muddy colors
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann